The One and the Many: Contemporary Collaborative Art in a Global Context PDF
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The One And The Many: Contemporary Collaborative Art In A Global Context

Collaborative and collective art practices have proliferated around the world over the past fifteen years. In The One and the Many, Grant H. Kester provides an overview of the broader continuum of collaborative art, ranging from the work of artists and groups widely celebrated in the mainstream art world, such as Thomas Hirschhorn, Superflex, Francis Alÿs, and Santiago Sierra, to the less-publiciz...

File Size: 2258 KB
Print Length: 320 pages
Publisher: Duke University Press Books (August 22, 2011)
Publication Date: August 22, 2011
Sold by: Amazon Digital Services LLC
Language: English
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“The title suggests there will be an account of the "many" or collective practices alongside the "one" solo author, disappointingly the meaning of collectivity is not really addressed. The book is well written but the argument is very laboured and the...”

d projects of groups, such as Park Fiction in Hamburg, Networking and Initiatives for Culture and the Arts in Myanmar, Ala Plastica in Argentina, Huit Facettes in Senegal, and Dialogue in central India. The work of these groups often overlaps with the activities of NGOs, activists, and urban planners. Kester argues that these parallels are symptomatic of an important transition in contemporary art practice, as conventional notions of aesthetic autonomy are being redefined and renegotiated. He describes a shift from a concept of art as something envisioned beforehand by the artist and placed before the viewer, to the concept of art as a process of reciprocal creative labor. The One and the Many presents a critical framework that addresses the new forms of agency and identity mobilized by the process of collaborative production.